Magnifique! Je prends les deux!

Paz a écrit:Magnifique!

Je trouve aussi.

4 nouveaux Varese Club annoncés ce matin!

La Promo habituelle du Paradoxe est en vigueur!

Et il y a du lourd: Bill Conti, Marco Beltrami, Bernard Hermann et John Williams!

GREMLINS 2 CD de Jerry Goldsmith.
http://auparadoxeperdu.com/cd_detail.php?devise=chf&id_produit=2978&idAlpha=A

C'est la Fête! C'est la Fête! C'est la Fête! C'est la Fête!

GREMLINS!! Un pour moi!

Yes!

Je lis sur ton site

BigJ. a écrit:FSM va nous manquer.

Attends, j'ai manqué quelque chose? FSM arrête d'éditer des disques? Mais non merde, c'était ce qu'il y avait de mieux au niveau documentation dans les b.o.!

Oui, ça s'arrête. Je sais plus exactement pourquoi mais le boss de FSM avait écrit une lettre publiée sur le web à ce sujet. BigJ. te retrouvera sans doute ça sans problème.

Fin annoncée de FSM.

The End of FSM: Countdown to 250 CDs
Posted By: Lukas Kendall on September 12, 2011 - 3:00 PM



I have decided to end the FSM CD label with our 250th album (coming in spring 2012). FSMCD Vol. 14, No. 14 (Not With My Wife, You Don’t! Vol. 2) is album #240, which means there are ten to go. Look for some big Silver Age thrills and surprises in those last ten CDs!

This column is what you’d call “breaking the news” so I want to do this briefly, and reassure you of two things:

1) The FSM website is not going anywhere—I intended to keep it, and the message board, as a “legacy” product, paid for by sales of the FSM inventory.

2) I am not going anywhere either! I love film music, I love working with it and preserving classic scores on CD, and I will keep an active hand in producing and co-producing titles for the various specialty labels. (Hey, I need to eat!)

So why do this? I have grown tired of “feeding the dragon”: coming up with 20 albums a year (at least), from conception through licensing, production, design, QC’ing (quality control), and the interminable paperwork…contracts, purchase orders, and especially royalty reports.

As our catalog has grown, so has the back-end administration: repressing titles, tracking down boxes of old booklets, filling out quarterly sales reports to the licensors. It was a chore 12 years ago—nowadays, I loathe it.

A few months ago, as I was managing the catalog, I counted up our albums to date (including the Retrograde titles and box sets) and saw that we would hit #250 in around nine months (now, six months). It seemed like a good place to stop.

There is one overriding reason I feel comfortable in closing the label: the state of recorded film music has never been better. People used to circulate “gag” new release lists on April Fool’s Day, containing “Holy Grail titles”—Alien, Back to the Future, expanded James Bond scores, Star Trek movies, etc. The joke was we’d never see these in a million years. Nowadays, we have most of them in our collections!

I flip through my iTunes and play The Omega Man, Predator, Days of Heaven, The Black Hole, Bullitt…it’s insane. These things were fantasies for us to have—or at best, we’d trade noisy cassettes through the mail. Nowadays, they all exist on my computer—probably yours too. Hot damn.

(I keep the physical packages on CD racks—and towers, and shelves, etc.—for easy retrieval. Film score CD documentation and packaging has never been more elaborate. I like to think I had a hand in that development as well.)

So life is good, and life goes on. In the coming months, we’ll reminisce about some of the behind-the-scenes adventures of making the FSM catalog. We’ll announce plans to delete many titles, while keeping others available for, hopefully, years to come. (What’s the point of releasing Days of Heaven if it doesn’t stay available?) You’ll see my name on CDs from the other labels (those who have looked closely have already noticed). And we’ll roll out the last ten albums—including some must-buy Holy Grails.

There will be time for extended thank-yous to the many people who have helped us—especially you, the listeners. But to start, I need to thank one person in particular: Craig Spaulding at Screen Archives Entertainment, our distributor since 2004. Some time that year (it’s a blur), I decided I had had enough of mail-order fulfillment and called Craig: “Hey, will you take this stuff?” He said yes—pretty much this quickly—I sent him the entire inventory on pallets and that was that.

(When we had the inventory on pallets waiting for the truck—on the curb at La Cienega Ave. and Washington Blvd.—a blind neighborhood gentleman walked down the sidewalk, cane in hand, heading right for them. Awkward!)

The last seven years, Craig and his colleagues have handled all of FSM’s fulfillment and, more than that, have bankrolled all my crazy projects…no questions asked. Seriously! Like this:

Me: “Hey, we’re doing five CDs of David Raksin scores no one has ever heard except Manderley on the FSM board.”

Craig: “Great, when’s it done?”

Me: “I don’t know, maybe two years, but I need you to send a thousand dollars to some guys tomorrow to transfer acetates that might or might not have anything we need.”

Craig: “Sure! What’s the address?”

That’s pretty much the process. Can you imagine? I produce what I want to produce, and they pay for everything. No business plan! And that’s we sold 550 copies of The Wreck of the Mary Deare by George Duning…which I love.

I am not necessarily an easy person to work with—on the one hand, I am maniacally detail-oriented and smart, if I do say so myself. However, I am demanding and expect people to read my mind, then complain when they do not. So Craig and his team have the patience of Job, and it is because we believe in “The Mission”—no, not the Morricone score, or the Williams Amazing Stories score, but the mission of making film music available. All of it.

SAE has offered such a dream arrangement that I have had to think long and hard about walking away from it—but the time has come. For one thing, something strange and a little sad has happened in the last two to three years (since the ’08 recession): ’80s and ’90s scores are the only sure sellers, Silver Age scores sell like Golden Age scores used to, and Golden Age scores barely sell at all.

I no longer trust that I can pick an Elmer Bernstein score out of a hat and sell enough copies to make back Craig’s money—let alone an obscure George Duning one—so I’ll step aside and let other parties take those risks, and do what I can behind-the-scenes to help them out. (After 15 years of doing this, I know where all the bodies are buried...cue maniacal laughter.)

But that’s a topic for next time. For now, digest the news, ask questions on the board, and look forward to the next six months of going out in style. Thanks!

P.S. Do you have our CD of Wait Until Dark by Henry Mancini? You should, it’s one of my personal favorites. Check it out!

Mini baume tout de même: Kendall cotinuera de produire des CDs pour d'autres labels.

La seule sortie de Varese Club de cette fin d'année, mais quelle sortie!



(Interprétation de Charles Gerhard, différente du Box.)




18 Scores composés par Herrmann à la Fox, dont The Snows of Kilimanjaro, White Witch Doctor et 5 Fingers ne sont jamais apparus en CDs sous forme de Bandes originales! De plus White Witch Doctor n'existait que sous forme de suite rejouée.
Hangover Square, contrairement à ce qu'affirme Varese, existait chez Tsunami (dans THE MARVELLOUS FILM WORLD OF BERNARD HERRMANN-VOL. 2 ) mais avec un son pauvre. Espérons qu'ils ont accompli des miracles dans l'édition présente.
(A noter que l'édition Tsunami comptabilisait près de 12 minutes supplémentaires! Zut alors...)

Jane Eyre, The Ghost and Mrs. Muir, The Day the Earth Stood Still , Garden of Evil, King of the Khyber Rifles, Prince of Players, The Man in the Gray Flannel Suit, Journey to the Center of the Earth et Tender Is the Night sonttous présentés dans des versions augmentées ("expanded") à des degrés divers.
Les autres titres sont des reprises simples d'éditions existantes (mais parfois épuisées) etremasterisées ici.

18 Original Motion Picture Soundtracks


14 CD set!


Music Composed and Conducted by Bernard Herrmann


Album Produced by Nick Redman and Robert Townson

In 2010 we celebrated Alex North's 100th birthday with the release of his masterpiece score … SPARTACUS!

Now in 2011 we celebrate the 100th birthday of another of film music’s immortal masters – the legendary Bernard Herrmann!

We’ve been celebrating all year long … premiering 5 CDs of music from The Alfred Hitchcock Hour, a deluxe 2-CD set of The Egyptian, and a thrilling concert in Tenerife at Fimucité 5. But now it is time for the grand finale of our 2011 Bernard Herrmann salute. And it’s a whopper! We conclude our Bernard Herrmann centenary celebration with the most important chronicle of Bernard Herrmann’s music that has ever been assembled ... Bernard Herrmann at 20th Century Fox.

Eighteen scores, representing an 18-year relationship with 20th Century Fox are all included here, and each one of them sounds better than they ever have before!

Four scores are making their premiere appearance. Never before have Herrmann’s original recordings of The Snows of Kilimanjaro, White Witch Doctor, 5 Fingers or Hangover Square appeared on CD. But the premieres contained herein by no means stop with these four.

The collection opens with one of the most significant of all restorations. Jane Eyre appears in its entirety for the very first time, nearly doubling its previous length. Along with the significantly improved sound, the expansion makes this presentation a revelation in every way.

Anna and the King of Siam was already premiered in its entirety back in 2000, but has been remastered for inclusion here.

One of the most beloved Herrmann scores of all, The Ghost and Mrs. Muir, here receives its definitive presentation, featuring additional material, together with stunning new sound.

The bonus tracks for the landmark The Day the Earth Stood Still feature a particularly fascinating track allowing us to eavesdrop into the original recording session.

Discs five and six, featuring the premieres of 5 Fingers, Hangover Square (famous for its brilliant Concerto Macabre) and The Snows of Kilimanjaro are historic in their importance.

An expanded A Hatful of Rain shares disc seven with the world premiere release of White Witch Doctor, a score principally known (and much loved) thanks to its inclusion (in suite form) on the Gerhardt RCA album.

Beneath the 12-Mile Reef features improved sound but no new material.

The Egyptian was expanded for our Deluxe Edition earlier this year but disc nine here isolates just the Herrmann music from the famous score co composed with Alfred Newman.

Garden of Evil has here been significantly expanded, adding some 15 new cues to what has been released previously.

Until now, King of the Khyber Rifles has been represented by only six cues on an earlier compilation. Presenting the entire score for the first time is a significant find.

While Blue Denim’s previous release was already complete, Prince of Players is another score that is, essentially, a premiere here (and a major one at that) as only seven of the score’s 29 cues have been released previously.

The Man in the Gray Flannel Suit expands from the eight cuts available previously to 21 here.

Our earlier release of Journey to the Center of the Earth was already pretty comprehensive, but we did add a few cues before remastering. The score is both a musical and sonic showpiece.

Eight cues have been added to Tender Is the Night, along with a few bonus cues.

All of this accumulates to a veritable mountain of Herrmann!

This boxed set includes:

- seven double CD slim line jewel boxes

- a 108 page full-color, hardcover book featuring:

o an introduction by Robert Townson
o extensive notes on all of the films and scores by Julie Kirgo and Bernard Herrmann biographer, Steven C. Smith
o a huge selection of film stills
o rare recording session photos and a historic selection of photographs of Bernard Herrmann himself!

Easily ranking among the most historic film music releases ever assembled, Bernard Herrmann's body of work produced for 20th Century Fox is a priceless film music archive, all assembled in one place for the very first time.

Limited Edition of 1000 copies


Disc One (Total Time: 67:09)

JANE EYRE

1. Prelude (2:39)
2. Jane’s Departure (2:56)
3. Jane Alone (1:48)
4. Dreaming (1:03)
5. Vanity (1:06)
6. Elegy / Jane’s Sorrow (2:27)
7. Time Passage (:35)
8. The Letter (1:00)
9. Thornfield Hall (3:06)
10. Valse Bluette / Adele (1:11)
11. Rochester (2:39)
12. The Piano (2:13)
13. Promenade (1:25)
14. Rochester’s Past (2:05)
15. The Fire (2:56)
16. Duo (1:48)
17. The Door (1:13)
18. Springtime (1:57)
19. Mr. Mason (3:34)
20. The Room (1:31)
21. The Rattle (1:24)
22. The Garden (3:44)
23. Farewell (1:55)
24. Jane’s Confession (2:03)
25. The Storm (2:31)
26. The Wedding (1:27)
27. The Life (:52)
28. Jane’s Farewell (4:34)
29. The Letter Burns (:24)
30. Jane’s Return (2:42)
31. Finale (2:39)

Bonus Track
32. Prelude (alternate) (2:50)

Disc Two (Total Time: 64:40)

ANNA AND THE KING OF SIAM

1. Prelude (1:50)
2. The Kralahome (2:24)
3. The Street (:37)
4. Siam (2:53)
5. Wait (:27)
6. The Almanac (:16)
7. The King (1:39)
8. The Harem (:20)
9. The Children (:40)
10. The Teacher (1:09)
11. The Courtyard (1:36)
12. Anger (:18)
13. Fish Market (1:00)
14. The First Lesson (:53)
15. Pandemonium (:29)
16. Tuptim (2:33)
17. Lost Cambodia (3:34)
18. The Abduction (:27)
19. The Letters (:31)
20. Lady Thiang (1:16)
21. 2:00 A.M. (:56)
22. 3:00 A.M. (1:01)
23. Tuptim’s Slave (:24)
24. The Pomegranate (1:42)
25. The Dresses (:25)
26. The Hall of Women (:27)
27. 4:00 A.M. (:21)
28. The Golden Goblets (:19)
29. The Ladies (:38)
30. The Reception (1:17)
31. The Banquet (1:44)
32. The Gift (:51)
33. Suspense (1:06)
34. The Dungeon (1:56)
35. The Second Dinner (:39)
36. Cruelty (1:04)
37. The Stake (:52)
38. The Offering (:19)
39. The Legend of the Panels (3:23)
40. The Fall (:31)
41. Sorrow (1:23)
42. Consolation (1:24)
43. Montage (1:15)
44. The Last Call (:25)
45. Elegy (4:56)
46. Memories (1:38)
47. The Coronation (2:25)

Bonus Tracks
48. Chant #1 (1:15)
49. Chant #2 (1:39)
50. Anger (four takes) (1:18)
51. Home Sweet Home (:54)

Disc Three (Total Time: 66:32)

THE GHOST AND MRS. MUIR

1. Prelude (1:55)
2. Local Train (:29)
3. The Sea (2:02)
4. The Painting (2:07)
5. The Bedroom (1:01)
6. Exit (:40)
7. Outside (1:04)
8. The Ghost (1:45)
9. The Storm (2:05)
10. Evocation (1:22)
11. The Apparition (1:11)
12. About Ships (1:19)
13. The Lights (:28)
14. Bedtime (1:59)
15. Anger (:23)
16. Poetry (2:06)
17. The In-Laws (1:36)
18. Pranks (:35)
19. Lucia (:55)
20. Dictation (:33)
21. Boyhood’s End (1:14)
22. Pastoral (:51)
23. Seamen (:33)
24. Nocturne (2:19)
25. London (:48)
26. The Reading (:56)
27. Second Local Train (:45)
28. The Spring Sea (4:35)
29. Consolation (:28)
30. Question (:37)
31. Romance (1:22)
32. Love (:20)
33. Farewell (3:18)
34. The Home (1:11)
35. Sorrow (1:41)
36. The Empty Room (:55)
37. The Passing Years (1:10)
38. Andante Cantabile (3:16)
39. The Late Sea (1:46)
40. Forever (2:05)

Bonus Tracks:
41. The Sea (alternate) (1:35)
42. The Painting (alternate) (1:39)
43. Evocation (alternate) (:59)
44. Poetry (alternate) (2:07)
45. The In-Laws (alternate) (1:35)
46. Seamen (alternate) (:32)
47. Exit (alternate — two takes) (1:18)

Disc Four (Total Time: 60:14)

THE DAY THE EARTH STOOD STILL

1. Prelude / Outer Space / Radar (3:48)
2. Danger (:23)
3. Klaatu (2:14)
4. Gort / The Visor and The Ray / The Telescope (2:23)
5. Escape (:52)
6. Arlington (1:08)
7. Lincoln Memorial (1:29)
8. Nocturne / The Flashlight / The Robot / Space Control (5:56)
9. The Elevator / The Magnetic Pull / The Study / The Conference / The Jeweler (4:31)
10. Panic (:43)
11. The Glowing / Alone / Gort’s Rage / Nikto / Captive / Terror (5:12)
12. The Prison (1:42)
13. Rebirth (1:35)
14. Departure (:52)
15. Farewell (:33)
16. Finale (:29)

Bonus Tracks:
17. Solar Diamonds I and II (unused) (1:07)
18. Outer Space (without theremin track) (1:55)
19. The Magnetic Pull (without overlays) (1.53)
20. The Visor and The Ray (separated elements) (2:14)
21. Discrete Theremin Tracks (5:35)
22. Studio Rehearsals & Studio Outtakes (12:56)

Disc Five (Total Time: 55:05)

5 FINGERS

1. Prelude (1:23)
2. Cicero (2:08)
3. The Embassy (2:20)
4. The Film (4:30)
5. The Old Street (1:21)
6. German Embassy / Berlin (:33)
7. The Safe (3:09)
8. Dreams (2:33)
9. Five Weeks (:46)
10. The Trap / The House (:34)
11. Romance (:44)
12. Departure (2:52)
13. Alone (1:49)
14. The Charwoman (1:29)
15. Escape (1:25)
16. The Pursuit (2:33)
17. The Boat (:33)
18. Rio (:15)
19. Finale (:44)

HANGOVER SQUARE

20. Concerto Macabre (4:34)
21. Murder and Fire (1:51)
22. The Spell (1:53)
23. The Murder (:51)
24. The Bonfire (1:58)
25. Concerto Macabre: First Movement (4:56)
26. Concerto Macabre: Second Movement (6:19)
27. Coda (:16)

Disc Six (Total Time: 52:21)

THE SNOWS OF KILIMANJARO

1. Overture (1:25)
2. The Buzzards (3:19)
3. The Lake (:29)
4. The Jungle (4:07)
5. The Tent (2:09)
6. Nocturne (2:34)
7. The Memory Waltz (3:03)
8. Sunrise (:32)
9. Adagietto (2:34)
10. The Silence (:48)
11. The Fall (:59)
12. Sorrow (1:03)
13. The Awakening (2:11)
14. Siesta (1:11)
15. First Barcarolle (:51)
16. Second Barcarolle (:27)
17. Interlude #1 (:48)
18. Interlude #2 (1:13)
19. The Letter (:49)
20. Departure (:39)
21. Madrid (:20)
22. The Farewell (2:45)
23. The River (2:27)
24. The Hyena (1:24)
25. Helen (3:22)
26. Witch Doctor (2:07)
27. The Death Watch (2:43)
28. Panic (1:19)
29. Finale (:39)

Bonus Track:
30. The Memory Waltz (alternate) (3:18)

Disc Seven (Total Time: 75:36)

A HATFUL OF RAIN

1. Prelude (Revised) (2:36)
2. The Car / The Street (1:28)
3. The Gun (1:14)
4. The Closet (:43)
5. The Search (3:26)
6. The Sidewalk (1:54)
7. The Hold-Up (:41)
8. The Cafeteria (1:45)
9. The Office (:46)
10. The Playground (4:36)
11. The Window (:52)
12. The Pawnshop (1:18)
13. Homecoming (1:27)
14. The Bridge (1:20)
15. The Return (:57)
16. Finale (2:02)

WHITE WITCH DOCTOR

17. Prelude (1:57)
18. The Necklace (1:53)
19. The Question (1:40)
20. Petticoat Dance (:57)
21. The Village (3:07)
22. The Hut (1:35)
23. The Operation (1:13)
24. The Leopard (2:10)
25. Goodnight / The Safari (1:06)
26. Elegy (2:10)
27. The Birth (:51)
28. Little Mama (:44)
29. Defiance / Bakuba Boy (1:24)
30. Nocturne (4:05)
31. The Abduction (1:55)
32. The Shinbeck (:52)
33. Bakuba Country (1:33)
34. The Skulls (1:00)
35. Morning (:57)
36. The King (:35)
37. The Past (1:40)
38. Departure (1:13)
39. The Camp (:30)
40. Jacques (:33)
41. The Three Doctors (:33)
42. The Camp #2 (1:14)
43. Thirty Seconds (:31)
44. The Fight (2:53)
45. Terror / Recovery / The Finale (1:33)

Bonus Tracks:
A HATFUL OF RAIN
46. Prelude (original version) (1:10)
47. The Closet (alternate) (:55)
WHITE WITCH DOCTOR
48. Goodnight (three takes) (1:14)

Disc Eight (Total Time: 55:48)

BENEATH THE 12-MILE REEF

1. Prelude (1:28)
2. The Undersea (2:32)
3. The Boat (1:07)
4. The Homecoming (1:05)
5. The Reef (1:18)
6. The Glades (1:03)
7. The Quiet Sea (:50)
8. The Airline (1:53)
9. The Conch Boat (:44)
10. The Harbor (:42)
11. The Search (1:37)
12. Flirtation (2:17)
13. The Departure (:53)
14. The Marker (3:58)
15. The Undersea Forest (4:50)
16. Elegy (2:44)
17. The Fire (1:04)
18. Sorrow (:35)
19. The Dock (1:41)
20. Escape (2:29)
21. The Lagoon (2:35)
22. Consolation (3:11)
23. The Grave (2:05)
24. The New Boat / The Buoy (2:10)
25. Descending (:48)
26. The Sea Garden (3:02)
27. The Octopus (3:34)
28. The Hookboat (:25)
29. The Fight (1:28)
30. Finale (1:00)

Disc Nine (Total Time: 51:41)

THE EGYPTIAN

1. Prelude (1:42)
2. The Ruins (:52)
3. The Red Sea and Childhood (2:49)
4. The Nile and The Temple (1:12)
5. The Chariot Ride / Pursuit (1:49)
6. Taia (1:06)
7. Party’s End (1:02)
8. Nefer Nefer Nefer (5:26)
9. The Offering (2:16)
10. The Harp Player (:45)
11. The Bracelet and The Helmet (1:25)
12. The Rebuke (3:24)
13. The Deed (2:06)
14. The Harp and Couch (1:16)
15. The Perfection of Love (1:17)
16. Violence (2:15)
17. The House of the Dead (1:24)
18. The Burial (1:15)
19. The Homecoming (1:21)
20. Nefer’s Farewell (2:42)
21. The Princess (:55)
22. The True Pharaoh (1:31)
23. The Tomb (2:36)
24. The Proof / The Holy War (1:34)
25. Danse Macabre (1:30)
26. The Death Potion (2:19)

Bonus Tracks:
27. Danse Macabre (alternate) (1:52)
28. The Nile and The Temple (alternate) (1:26)

Disc Ten (Total Time: 62:14)

GARDEN OF EVIL

1. Prelude / Siesta (3:38)
2. The Cliffs (2:03)
3. The Chasm and The Valley (3:34)
4. Leah (:50)
5. The Stone Arrow (1:03)
6. The Hooker (2:06)
7. The Mission (1:11)
8. The Circle (2:07)
9. The Church (:54)
10. Nocturne (2:37)
11. The Quarrel (1:06)
12. Aftermath (1:44)
13. The Wooden Cross (1:14)
14. The Mine (1:41)
15. Unused (:28)
16. The Feather (1:47)
17. The Shrine (1:00)
18. The Smoke Signals (:29)
19. The Revelers (:58)
20. The Wild Party (1:09)
21. Lean’s Vigil (:48)
22. Fuller’s Devotion (1:23)
23. The Departure (1:08)
24. The Indian (:43)
25. Fuller’s Plan (3:05)
26. The Apache (:42)
27. Daly’s Death (:42)
28. Fuller’s Death (1:49)
29. Night Scene (2:53)
30. The High Rocks (:31)
31. The Chase (2:37)
32. The Cards (1:11)
33. The Ridge (1:33)
34. The Return (1:28)
35. The Sharpshooter (1:04)
36. Finale (2:27)

Bonus Tracks:
37. “La Negra Noche (Me-Mue)”* (2:38)
38. “Aqui”* (3:15)

Disc Eleven (Total Time: 72:58)

KING OF THE KHYBER RIFLES

1. Prelude (1:54)
2. The Pass (1:37)
3. The Locket (:34)
4. The Holy Man (1:54)
5. Valse Lent (2:12)
6. Dance and Air (1:06)
7. The Hammer of God (1:04)
8. The Ruins (2:01)
9. The Storm (1:31)
10. The Dunes (2:00)
11. Meditation (1:08)
12. The Sentries (1:09)
13. The Message (:28)
14. The Letter (:53)
15. Nocturne (3:48)
16. The Mirror (2:20)
17. The Courier (:49)
18. The Khan’s Rage (1:43)
19. The Knife (1:10)
20. The Awakening (1:12)
21. The Trail (2:32)
22. The Night Watch (3:05)
23. The Fight (3:39)
24. The Return (Finale) (1:42)

BLUE DENIM

25. Prelude / The Boy (3:24)
26. The Playroom (2:45)
27. The Girl (1:27)
28. The Letter / First Embrace (1:28)
29. Adoration (2:48)
30. Proposal / The Compact / Confession (4:24)
31. Consolation / The Question (2:45)
32. The Dress / Shame (2:14)
33. The Arrival / The Bank (1:53)
34. The Window / The Summons (:58)
35. Farewell (1:14)
36. Fury and Grief / The Breakdown (1:08)
37. The Chase (:49)
38. Sleep / The Decision (1:56)
39. Finale (1:19)

Disc Twelve (Total Time: 76:26)

PRINCE OF PLAYERS

1. Prelude (2:19)
2. The Boy (:32)
3. King Lear “Storm” Scene (:41)
4. The Closet (2:03)
5. Homecoming (1:11)
6. The Tour (:30)
7. The Dressing Room (1:25)
8. The Tempest (:59)
9. The Camp (:19)
10. The Dawn (2:02)
11. Edwin’s Tour (:20)
12. Mary / Exit (:47)
13. The Warning (:47)
14. Confession (1:16)
15. John Brown (1:58)
16. Hamlet Sequence (5:10)
17. Lullaby (:47)
18. Interlude (:18)
19. The Camp #2 (:39)
20. The Package (1:37)
21. The Traitor (1:20)
22. Illness (:39)
23. The Letter (:55)
24. Mary’s Death (1:32)
25. The Shroud (:57)
26. The Grave (:35)
27. Murder (:35)
28. The Newspaper (:42)
29. Finale (:39)

THE MAN IN THE GRAY FLANNEL SUIT

30. Prelude (1:55)
31. The Children’s Hour (2:53)
32. The Coat (4:34)
33. The Killing / Rome (:44)
34. Maria (2:28)
35. Maria’s Room (3:00)
36. The Rain (1:18)
37. Farewell (4:58)
38. The Clock (2:33)
39. Biography (:36)
40. Daydreams (1:05)
41. Hopkins’ Promise (:39)
42. Duo (2:45)
43. The New House (1:02)
44. Susan’s Rage (:38)
45. Honesty (:41)
46. Tomorrow (:29)
47. The Letter (:40)
48. Breakdown (2:42)
49. Ordeal (1:04)
50. The Morning (:46)
51. Finale (2:08)

Bonus Track:
52. “I Feel Like Dancing” (source) (2:13)

Disc Thirteen (Total Time: 72:33)

JOURNEY TO THE CENTER OF THE EARTH

1. Prelude (1:50)
2. The Lovers (:53)
3. “My Love Is Like a Red, Red Rose”* (2:19)
4. The Explosion (:47)
5. The Message (:47)
6. Duo (:42)
7. The Ladder (:33)
8. The Mountain / “My Heart’s in the Highlands”* (2:10)
9. The Mountain Slopes (1:16)
10. The Abduction (1:36)
11. The Count and The Groom (:25)
12. The Mountain Top / Sunrise (1:41)
13. The Rope / The Torch / The Entrance / “March” (2:08)
14. The Count Arnes / Saint Giles (1:36)
15. The Sign / Sleep (1:36)
16. False Arrows / The Fall (2:53)
17. The Grotto / “Twice as Tall”* (3:15)
18. Lost / The Bridge / Gas Cave (2:46)
19. The Vines (1:58)
20. Salt Slides (2:18)
21. The Pool (1:10)
22. The Spear / Dead Groom / The Gun (1:49)
23. The Canyon / The Cave Glow (2:27)
24. Mushroom Forest / “March” / The Lizard (2:42)
25. Underworld Ocean / Dimetroden’s Attack (5:23)
26. The Snow / “The Faithful Heart”* (4:32)
27. Magnetic Storm / Whirlpool (1:37)
28. The Beach (1:19)
29. The Duck (1:41)
30. The Count’s Death (2:01)
31. Lost City / Atlantis (3:49)
32. Giant Chameleon / The Fight (1:48)
33. The Earthquake / The Shaft (2:16)
34. Finale (:30)

Bonus Tracks:
35. The Abduction (alternate) (1:50)
36. “Twice as Tall” (short version) (2:56)

Disc Fourteen (Total Time: 51:47)

TENDER IS THE NIGHT

1. “Tender Is the Night” (Main Title)* (1:53)
2. The Beach (1:01)
3. Breakdown (1:19)
4. The Mirror (1:38)
5. Dawn (3:39)
6. The Study (1:16)
7. The Walk (4:33)
8. The Closing Door (3:56)
9. The Lake (1:12)
10. Vacation (1:02)
11. Embrace (2:27)
12. Honeymoon (2:31)
13. The New Year (2:54)
14. The Table / The Quarrel (1:11)
15. The Train / Farewell (:54)
16. The Return / The Child (1:43)
17. The Question (1:07)
18. The Elegy (1:20)
19. The Thunder (1:14)
20. Franz’s Exit / Rome (1:29)
21. The Drink / Newspaper (1:19)
22. Regrets (1:52)
23. The Surfboard (:41)
24. The Porthole (:54)
25. “Tender Is the Night” (Finale)* (1:58)

Bonus Tracks:
26. “Tender Is the Night” (Main Title) (orchestra only)* (2:04)
27. The New Year (alternate) (1:57)
28. “Tender Is the Night” (Main Title) (alternate)* (1:54)

http://www.auparadoxeperdu.com/cd_detail.php?devise=chf&id_produit=3033&idAlpha=A

C'est énorme, leur truc!

Ca fait particulièrement envie... Surtout que je ne possède aucun des scores mentionnés si ce n'est celui de THE DAY THE EARTH STOOD STILL. Je ne suis pas forcément un inconditionnel d'Herrmann mais en écoutant quelques "suite" que l'on trouve en écoute libre sur le Net, ça me démange de passer à la caisse. Je ne connaissais pas son travail sur THE GHOST OF MRS MUIR, et c'est superbe! Après, je connais encore TENDER IS THE NIGHT, A HATEFUL OF RAIN et THE MAN IN THE GRAY FLANNEL SUIT que j'avais sur une compil' qui s'appellait justement "BERNARD HERRMANN AT FOX" (Vol. 1) que j'avais acheté parce qu'il ne coûtait qu'une thune... J'avoue ne pas avoir suffisamment croché, mais bon je crois ne l'avoir écouté qu'une seule fois... Et puis tout le reste m'est plutôt inconnu...

Le problème avec ce genre d'immense coffret plein de bonnes choses, c'est qu'on ne finit jamais vraiment de l'écouter. Tu te passes une ou deux choses et après tu l'oublies dans les limbes de ta propre collection. Mais c'est clair que c'est quand même vachement tentant!


Allez... BigJ., si tu veux me faire un bô cadeau de Noël, j'accepte volontiers!

Il en reste moins de 100 sur le site.
200 balles le coffret, c'est donné.

Colqhoun a écrit:Il en reste moins de 100 sur le site.
200 balles le coffret, c'est donné.

Ouais. C'est un prix de Noël.